Building Community: All the World’s A Stage

The idea for All the World’s A Stage, Screaming Weenie’s newest community-building initiative, stemmed from my desire to truly engage the community in our production of Falling In Time. I wanted the production to have a real impact on people, not simply with regards to it being a good play that people liked, but also with regards to making it a springboard from which community members could, first, wrestle with and talk about the issues the play explores, and, second, fulfill their own artistic and expressive aspirations.

All the World’s A Stage is a program that selects seven individuals from diverse cultural, ethnic and sexual backgrounds and gets them to create theatre. The program occurs in two phases. Phase One has them engaged as production mentees on Falling In Time; in Phase Two they will use what they learn from their experience in Phase One to collectively create a new play that they will present at the Vancouver Playhouse Recital Hall in March 2012. The overarching purpose of the program is twofold: first, to give individuals theatre-making skills that will enhance their personal development and/or open doors for them to pursue further professional work in this field; and second, to build bridges across differences in culture, ethnicity, gender and sexuality.

The All the World’s A Stage group had their first meeting last week at the Leaky Heaven studio, and it was inspiring to see the chemistry and instant rapport the participants had with each other. This was no doubt helped by the presence of David Beare, our brilliant and passionate program facilitator who has years of experience in theatre education and drama therapy.  It’s an eclectic group–four men and three women; four queer and three non-queer; one a native of Canada, two longtime immigrants, one recent immigrant, two refugees and one currently applying for refugee status.

This was Week One of what will be a twenty-four week journey. Stay tuned for more updates.

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